Voices on the Wind Open Theme
Vibrations by Doris Gwaltney What do those not trained in Picardian thirds and resolutions of dissonance hear? What do they think of rhythmic switches variations in pitches parallel forms? Can they imagine how a human diaphragm expands, shoulders unmoving, throat muscles free as air? How the sound moves up the body on a single breath floating, yet strong as pig iron? Do they notice the movement of fingers on keys and pads? Covering holes, grasping sticks, pounding.